16 50mm Lens Sony – Sony PZ 16-50mm OSS (APS-C scope only, power zoom, 40.5mm filter, 4.1oz/116g, 1’/0.3m close focus, $298 or about $150 when purchased as a kit with camera) . enlarge I got mine from Adoram; I get it on Amazon or B&H.
The biggest advantage of this ad-free site is that no matter what country you live in, you can use a link from an approved source to get something. Sony does not seal the box in any way, so never buy from retail or a source not on my approved list, because you have no way of knowing if you have a lost device, a defective one, a stock display, or a defective one. Returned or used products. My approved sources are from remote automated warehouses where no salesperson or optician can lubricate before applying your new lens. Only buy from approved sources that I personally use for the best price, service, return policy and selection. Thank you for helping me! Ken
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Mal, March 29, 2016 Sony A6300, Sony PZ 16-50mm OSS 44mm, Auto ISO 1000 at f/8 at 1/320, Perfectly Clear v2.) Study in bulk or on your computer (mobile device) Available © Camera Sources File . rarely displays full resolution correctly). In this case, not all flowers are focused.
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Light Blue Water Pipe Mar 29, 2016 Sony A6300, Sony PZ 16-50mm OSS 16mm, f/7.1 at 1/200 Auto ISO 1000, Perfectly Clear v2.) Large or © Camera Source File. (Mobile devices rarely display full resolution correctly). Focus only on the central part of these tubes.
Mod, 22 September 2015. (Sony A6000, Sony PZ 16-50mm OSS 20mm, f/5 at 1/80 Auto ISO 100.) Great.
Trees outside at night on September 22, 2015. (Sony A6000, Sony PZ 16-50mm OSS 16mm, f/4 at 1/60 Auto ISO 10,000, Perfectly Clear V2.) Large or raw camera-original © file.
Inside the Library, 22 Sep 2015. (Sony A6000, Sony PZ 16-50mm OSS 16mm, f/3.5 with 1/13 manual ISO 200, Perfectly Clear V2.) Large or raw camera source file.
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Night sidewalk, September 22, 2015. (Sony A6000, Sony PZ 16-50mm OSS 20mm, f/3.5 at 1/13 hand Auto ISO 1, 600, Perfectly Clear V2.) Large or Raw Camera-Original © File.
Ryan Dad’s E430 Window Scratch, September 22, 2015. (Sony A6000, Sony PZ 16-50mm OSS 32mm, f/5 at 1/60 Auto ISO 3, 200, Perfectly Clear V2.) Large or unprocessed camera files—sources.
Grand Wailea, Maui, April 2016. (Sony A6300, +3 Saturation Bright Creative Style, Sony PZ 16-50mm OSS 50mm f/7.1 at 1/125 Auto ISO 100, Perfectly clear.) Big.
Shops in Wailea, Maui, April 2016. (Sony A6300, bright creative style with +3 saturation, Sony PZ 16-50mm OSS 19mm f/8 at 1/125 Auto ISO 100, perfect clarity.) Huge.
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Flowers at Grand Wailea, Maui, April 2016. (Sony A6300, bright creative style with +3 saturation, Sony PZ 16-50mm OSS 18mm f/4 at 1/60 Auto ISO 100, perfectly clear.) Big.
Charley’s Restaurant and Saloon, Paia, Maui, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 19mm, f/5.6, 1/80, Auto ISO 100, Perfect clarity.) .
Crazy VW van, Ho’okipa Beach Park, Maui, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS 19mm f/8 at 1/320 Auto ISO 100, Perfectly Clean.) Your To view on the computer, view large or full-scale drawings; Mobile devices rarely display full resolution correctly.
Lifeguard Station 6B, Hookipa Beach Park, Maui, April 2016. (Sony A6300, flash on to illuminate)
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, bright creative style with +3 saturation, Sony PZ 16-50mm OSS 16mm f/11 at 1/160 Auto ISO 100, perfectly clear.) Large or full-size image viewable on your computer; Mobile devices rarely display full resolution files correctly.
Coconut and strawberry shaved ice, Hana, Keene, Maui, April 2016. (Sony A6300, +3 Saturation Vivid Creative Style, Sony PZ 16-50mm OSS 31mm f/7.1 at 1/100 Auto ISO 100, Perfectly Clear.) on your computer. Larger or full-size images to view; Mobile devices rarely display full resolution files correctly.
Grand Wailea, Maui, April 2016. (Sony A6300, bright creative style with +3 saturation, Sony PZ 16-50mm OSS 1/3 hand 20mm f/4 (based on fence) ISO 100 , perfectly clear.) Big.
April 2016 Bright rainbow, cross and beautiful mirror seen northeast of Maui’s west coast. (Sony A6300, bright creative style with +3 saturation, Sony PZ 16-50mm OSS 23mm, f/8, 1/400, Auto ISO 100, perfectly clear.) Large or full-size image to view on your computer; Mobile devices rarely display full resolution images correctly.
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Ryan walks us through Longhi’s at the Shops at Wailea, April 2016. (Sony A6300, bright creative style with +3 saturation, Sony PZ 16-50mm OSS 16mm f/5 at 1/80 Auto ISO 100, perfect clarity. ) Great.
Cheeseburger Restaurant, Shops at Wailea, 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 16mm f/3.5 at 1/15 Auto ISO 500, Perfectly Clear.) Larger.
Mai Tai Bar Cheeseburger Restaurant, April 2016. (Sony A6300, Sony PZ 16-50mm OSS 1/3 of 16mm f/8, Auto ISO 320, Perfectly Clear.) Big or bigger.
Shops at Wailea, April 2016. (Sony A6300, +3 Saturation Vivid Creative Style, Sony PZ 16-50mm OSS 16mm f/8 at 1/160 Auto ISO 100, Perfectly Clear.) Large or full-size study image on your computer (hand-held Portable devices rarely display the full-size study image.-resolution version correctly).
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Dance Green House, Lahaina, April 2016. (Sony A6300, Bright Creative Style with +3 Saturation, Sony PZ 16-50mm OSS 27mm f/4.5 at 1/15 Auto ISO 800, Perfectly clear.) Big.
Night Banyan Tree, Lahaina, April 2016. (Sony A6300, Bright Creative Model with +3 Saturation, Sony PZ 16-50mm OSS 16mm f/3.5 at 1/15 Auto ISO 2,000, Perfectly clear.) Big.
Night Banyan Tree, Lahaina, April 2016. (Sony A6300, +3 Saturation Bright Creative Model, Sony PZ 16-50mm OSS 16mm f/3.5 at 1/15 Auto ISO 3, 200, Perfect Clarity.) Larger or larger.
Night Tiki Shop, Lahaina, April 2016. (Sony A6300, +3 Saturation Vivid Creative Style, Sony PZ 16-50mm OSS 16mm f/3.5 at 1/15 Auto ISO 2,000, Perfect Clarity.) , or full size to explore on your computer (Mobile devices rarely display full resolution files correctly).
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One April night in 2016, a storm hits Lahaina. (Sony A6300, Bright Creative Model with +3 Saturation, Sony PZ 16-50mm OSS 16mm f/3.5 at 1/15 Auto ISO 1,000, Perfectly Clear.) Larger or larger.
Ryan Beach, Front Street, Lahaina, April 2016. (Sony A6300, Sony PZ 16-50mm OSS 16mm f/3.5 at 1/15 Auto ISO 3, 200, Perfectly Clear.) Huge.
A stormy night on Lahaina Beach, April 2016. (Sony A6300, bright creative style with +3 saturation, Sony PZ 16-50mm OSS 19mm f/4 built on the fence at 1/2, Auto ISO 1,600, perfectly clear.) Larger or larger.
Tricolor chair, Luna Cafe, Lahaina, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS 20mm f/8 at 1/4 handheld Auto ISO 2,000, perfectly clear.) Large. .
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The Sony PZ 16-50mm OSS is a compact zoom perfect for point-and-shoot cameras. It is motorized to raise, retract and zoom.
It’s amazing how the zoom is controlled by an electronic ring around the lens, and the whole system zooms faster and more accurately than conventional systems. If Sony can make the power zoom work so well, why hasn’t anyone made the electronic manual focus work?
It’s the smallest and lightest interchangeable zoom I’ve ever seen. It’s great for use with Sony’s APS-C E-mount NEX cameras.
This small lens is the mirrorless avatar; This is the reason you should buy a mirrorless camera in the first place!
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It works on all Crop-sensor (APS-C) Sony E-mount cameras, NEX and A7 series as of 2015.
It also works in the full-frame A7 series, and with automatic sensor cropping, you won’t know what the joke is until you wonder why this 16-50mm gives you the same field of view as a 24-inch screen. -70mm full frame lens.
This provides the same angle of view as a 24-70mm lens on a 35mm or full frame camera. See also crop factor.
This small Sony 16-50mm is perfect for Sony’s smaller mirrorless cameras. It is sharp and has a good grip.
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It works great outdoors in the dark at night, even though the A6000 lacks AF illumination.
September 22, 2015 outdoors at night. (Sony A6000, Sony PZ 16-50mm OSS 16mm, f/4 at 1/60, Auto ISO 25, 600, Perfectly Clear V2.) Large or processed original camera © file.
Bokeh,
