Othello Sydney Opera House – Verdi took the best of Shakespeare’s most famous works and created an amazing romantic tragedy.
The health, safety and well-being of everyone at the Opera House is our priority. Back at the Opera House, you’ll find some important changes put in place to keep the community safe, which are regularly reviewed and updated on public health procedures at the time. Always follow our entry criteria:
Othello Sydney Opera House
For detailed information on our ticketing policies, please see our general ticketing updates and event conditions. These conditions may change between the time of purchase and the event. Voters will be contacted directly with any changes to their event.
Opera Australia Presents Otello Tickets
Please check our Visits page before attending the Opera House for the latest information.
Prices are correct at the time of publication and are subject to change without notice. The exact price will be displayed along with the seat price. Children 15 years of age and older must be accompanied at all times
The authorized authorities for this event are Sydney Opera House, Australian Opera, TodayTix and Ticketmaster. See questions below for details on authorized agencies.
From the epic storm to Dedemon’s beautiful love song, the emotional music combines tension and impending doom.
Francesco Anile Gets His Big Break At Met Opera After The Lead Tenor Lost His Voice
Verdi’s score requires three excellent voices, and Shakespeare’s story will take you on a thrilling journey. Yonghyun Lee, a famous singer and actor, played the role of Othello, and the incomparable Cara Son played the long-awaited role of Desdemona. Marco Vrattogna is famous in the world for the cold Iago. The young directorial instincts led Andrea Battisto.
Harry Kupfer’s timeless production explores all the action on a dangerous, colossal staircase that dominates the stage. Yan Baj’s clothes are at home on the most elegant runways.
Enjoy a three-course set menu with a box of sparkling wine on arrival before entering the performance at the Joan Sutherland Theatre.
Facilities are sold at 100% capacity in accordance with the NSW Health Directive. This includes all programs in the Concert Hall, Joan Sutherland Theatre, Studio, Playhouse, Drama Theatre, Utzon House and Preview Center. Please note that you will be sitting with other ticket sellers.
The Royal Opera: Otello
Our floor opens 90 minutes in advance for Joan Sutherland concerts and theater performances, and two hours in advance for West Foyer live shows. Upgrades are available for purchase at our cinema. Please remember to maintain physical distance when consuming beverages in our home.
All floors of the Sydney Opera House are accessible, with lifts to the main and west staircases. All floors are accessible by public elevators from the corridor near the escalator on the lower concrete floor, as well as from the West Foyer through the underground corridor (above the escalator). Parking is available outside the theater in the West Foyer to comply with COVID safety regulations.
Nothing is more important to us than the health and safety of people on site and we follow NSW Health advice and guidance closely. The Sydney Opera House has registered with the NSW Government as a COVID-safe business. See our Visits page for details on our COVID-19 safety measures and what you will be asked to do during your visit.
Face coverings are strongly recommended for all patrons inside theaters and theaters, including during performances. Put on the mask.
Theatres/venues 2a: Sydney
When walking around the Opera House, practice physical distancing (1.5 meters if possible) and follow our staff and signed instructions.
See our access page for details on our COVID-19 safety measures and what is required of you.
Contact information is required when booking with us and upon arrival at the Opera House, as specified. See our general terms and conditions for tickets and events and statements. The privacy of our customers.
As the ticket purchaser, you are responsible for recording your guest’s contact information. Contact information is used only for contact tracing when necessary and Will be deleted at least 28 days after your activity.
Theatre Australia 6(1) September 1981 By Uow Library
Ticket purchases and collections will stop at our office, and eTicket or postal delivery methods should be used whenever possible. However, if you are collecting your tickets from the office, we recommend that you do so at least 60 minutes before the event starts. If you have already received your ticket, the arena gate will include a 45-minute pre-show for the Concert Hall and Joan Sutherland Theatre, and a 30-minute pre-show for the West Foyer live show. Take your seat as soon as you arrive.
If you arrive late, we will accommodate you as soon as possible. However, in order to reduce movement at the venue as well as to reduce disruption to the performance and other patrons, voters may sit in the late seats. Note that some events have a lock-in period. In such cases, late arrivals will be accepted with a reasonable break in performance. In some cases, this may not be far or far.
Details of our right to refuse admission can be found in the general terms and conditions of tickets and activities.
According to our on-site security procedures, the opera house will scan bags under the monument before entering. Go inside the building. Bags will be X-rayed and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. The costume facility offers 60-minute preshows for the Concert Hall and Joan Sutherland Theater, and 60-minute preshows for live performances in the West Foyer. However, it is highly recommended that you travel light to reduce congestion and queues. Bags larger than A4 paper must be checked into a closed room.
Sydney Opera House
Children 15 years of age and older must be accompanied at all times. Children aged 0-2 may sit on an adult’s lap while playing. Children 2 years and older must purchase a standard ticket.
Only tickets purchased by authorized agencies should be considered valid. If you purchase tickets from an unlicensed agency such as Ticket Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or other unauthorized sellers, you may risk that those tickets are counterfeit, invalid or previously cancelled. Resale restrictions apply. For more details see the general terms and conditions for tickets and activities.
If you are unable to attend please contact us on 9250 7777 for advice. If you are unable to attend due to illness or have been in contact with someone showing symptoms of COVID-19, the Opera House has flexible ticket options for you, find more information here.
Foyeres will feature a 90-minute preshow for the Concert Hall and Joan Sutherland Theatre, and a two-hour preshow for the live performance in the West Foyer. Upgrades are available for purchase at our cinema.
Bell Shakespeare Othello 2016 Programme By Bell Shakespeare
The Arena Gate offers a 45-minute advance for Concert Hall and Joan Sutherland performances, and a 30-minute advance for West Foyer live performances.
Bring a credit or debit card when shopping on the site for contactless payment. You are welcome to bring your own water bottle, but no food or other beverages are allowed on our premises. Opera Bar, Opera Restaurant and Portside can also be enjoyed.
All floors of the Sydney Opera House are accessible, with lifts to the main and west staircases. The stairs are accessible from the corridor near the public elevator below the concrete escalator, as well as from the West Foyer through the underground corridor (above the escalator). There is parking outside the theater that complies with the COVID safety regulations.
Experience one of the most successful musicals of all time when Andrew Lloyd Webber’s acclaimed new version of Cameron Mackintosh, A Simple Epic, makes its Sydney Opera House debut.
Mercure Sydney Macquarie Park, Sydney
This epic version of Shakespeare’s most moving love story immerses artists and audiences in a profound emotional experience long after the curtain has gone down. Theater companies have no reason to envy Shakespeare’s Othello, but artistic director Peter Evans may be finding his feet.
Bell’s production of Shakespeare’s Othello. A scathing review in the Australian press suggested that “the plug should be pulled”. Photo: Daniel Bod
I saw Othello again in Sydney and my first thought was what a great play. My second, Bell Shakespeare Company, was a tragedy.
Othello became the world’s greatest examination of the theme of jealousy: Iago was promoted, refused promotion, a “green-eyed demon” of evil deeds, and Othello, shocked by his wife’s adultery, murdered him.
List Of Public Art In The City Of Sydney
But Othello influenced other disciplines as well, as they do today in Elizabethan England. Reduction of military forces. A cold, harsh view of love, feelings are not always kind. The evil that exists in the human world. Race.
Ripe with low hanging fruit
